The costumes and set-designs by Wim Schermer tell stories that add expressive layers to a piece. Dramaturgical research forms the foundation for this. You don’t need to read all layers consciously to get the rich feeling you can continue deepening in what you see.
Schermers open attitude is special. From the very beginning he shares his ideas with the people involved, this leads to an interaction that results in a well integrated whole. Schermer sees set and costumes as full antagonists, constantly in dialogue with what is happening on stage. In direct co-operation with the performers, he tries to find the best way to support them entering into their role.
dance The concept for this choreography is based on a Taoistic journey through the four seasons.
opera This opera is a typical burletta, with a succession of misunderstandings and people dressing up,
movement theatre where have all the good men gone and where are all the gods where’s
movement theatre This stage is mine! Here rules DionysusHere life moves beyond its limitsHere the invisible
choreoroam Choreoroam is an international exchange project for upcoming choreographic talents from six European countries. 9
play All themes and opinions of Karst Woudstra are given a chance in this play. The
dance performance Site specific choreography for the opening of the new office for Spido, Rotterdam the
object theatre Due to an upcoming Tea-party, the weekday tea set starts battling the Sunday tea
multi media A young guy is picked from school to design a new fantastic computer-game: Billy
music theatre In this stylised musical narration the Oresteia and Macbeth are interbred. This inter-familial struggle
